 |
On
a train, from Paris to Brussels, neatly arranged fields, houses,
roads, passed as a blur. I was listening to Le Mans' album
Saudade, whispered in Spanish against gentle guitars.
The songs sound like heartbreak to me. The people on the train
spoke French, a language a bit beyond my skills at the time.
When asked a question, I would nod and smile. When asked anything
at all, I would continue to nod and smile. Those can get one
far in life.
Again
on a train, from Cardiff to London, I watched the sun lazily
set into red clouds. I listened to Blueboy's album Unisex;
the five year old girl across the aisle sang Spice Girls songs.
The fade from the string section to the cello and lightly
strummed guitars on "So Catch Him"--I had had only
enough money for tea and was sipping it slowly to make it
last. The conductor announced Bristol as the next station.
I thought about leaving the train there to search the city
for relics of Sarah Records--the Glass Arcade, the Fountain
Island, the sign for There And Back Again Lane. But it was
1997, and I also thought that perhaps those sites in the city
would have disappeared as had the record label itself. Searching
for shadows in the sunlight is a bit impractical. I continued
to listen to Blueboy as the train wound its way through the
countryside past church spires and into Paddington Station,
back to where all paths seem to lead eventually. It was inevitable
that I had found myself in London; for better or for worse,
everyone does at some time in their life.
Why write about trains? The masses of steel, iron, glass,
and smoke that comprise the carriages offer new possibilities,
taking everyone... somewhere. The destination, near or far,
is never as exciting as the travelling itself. The land outside
rushes by as the train moves at speeds no human was meant
to travel. The minutes tick down to the train's arrival, whilst
watching other passengers milling about the station, smoking
the last cigarette. The train could be late--adjust the scarf
and rewind the cassette. With the headphones on, life has
a soundtrack. It is a bit more pleasant that way.
| Matthew
Patrick, October 1998 |
|