Or... Confessions of a Music Junkie

It all started innocently enough. I liked music, it was always playing around the house as a kid (mainly show tunes and country and western), so it was only natural that at some point I'd start buying my own records to listen to. The exact date of that fateful day when my habit began is lost to me but I know that it occurred sometime in my fourth grade year at the age of 10. Of course with hindsight this seemingly innocent moment can be ominously pointed to as the beginning of my eventual downfall into a full-fledged music junkie.

See it's an insidious habit and can take years to actually develop into a full-blown addiction, but by then its often too late, you find yourself well out of control. However, in retrospect the warning signs were all there from the beginning. It wasn't just the buying, but the way that music itself gradually started to take up more and more of my waking hours, my conscious thoughts. If not actually listening to an album, I was thinking about listening or buying records or reading about groups. I spent hours daydreaming about the Beatles, what they had done in their spare moments etc… And it was almost always bands as opposed to individual artists that I was fascinated by, the whole band as a gang of friends really connecting with my adolescent fantasies.

There was a point around 1981 when I was hardly able to have a conversation without dragging the Beatles into it in some awkward fashion. I was able to convert a classmate and we then began to trade books and get together and make files on note cards cataloging the various Paul is dead clues. There were endless afternoons creeping ourselves out listening to the fade out of "I Am the Walrus" again and again, searching for clues.

I'd also like to take a moment to mention Nicholas Schaffner's role in all of this. I never hear him mentioned in rock writer circles (probably cause he wrote too much from a fan's perspective) but he authored two fine books that had a huge and lasting impact on my perception of and taste in music. First, "the Beatles Forever" and then "the British Invasion", his description of seeing the Who repeatedly in an afternoon at a Murray the K showcase is the most vivid and evocative writing on the magic of that group that I know.

So gradually I branched out to other British Invasion acts; the Rolling Stones, The Who, and the Kinks were the big three in addition to the Beatles. Nothing out of the ordinary really, especially in our current era of nostalgia for everything including last week. But at the time, early 80's (prior to the invention of the "classic" rock genre), this made me quite the oddball and the target of ill informed teasing by my peers. I don't know what the hell they were listening to, probably not much, but they obviously didn't understand what this stuff meant, they didn't get it, how important it was. It was like magic, it took the place in my daydreams that had been previously occupied by Marvel Comics and superheroes. Except it was even better because it was real, or seemed to be.It didn't take too long before I was drawing my own imaginary band, designing their album covers and writing songs and settling on track listings. I believe I still have some of these daydreamed albums hid somewhere. They are of course embarrassing but not because I was young and inexperienced but because I was young and inexperienced and trying to write from the point of view of an adult. My adult point of view being informed solely by what I'd gleamed from pop songs. This led to far too many awful lyrics revolving around "baby", and "oh girl" and worse. Now if I would have written honestly about the things that really mattered to me at that age I might have come up with something good.

So in any case, my family helped out a lot at the start, there were many different occasions on which I was able to wiggle an album or two out of a trip somewhere. But eventually, sometime in High School I believe, they decided to cut me off, simply stating that I "had enough records". Easy for them to say, first they get me hooked then they arbitrarily decide that I have enough, that its time to stop. What am I supposed to do, go cold turkey? That wasn't gonna work, there was too much left out there, hell I was just getting started. And so I picked up the slack with a passion.

In drug and alcohol rehab talk they speak of the bottoming out experience, my own such experience occurred all too recently. I knew I was in trouble when I starting thinking about buying a Todd Rundgren album--I had heard his early stuff was sort of interesting. But the truth is I was just desperate. It's not that I had run out of good music to buy, far from it. The amount of albums and cd's I desire that I have no luck tracking down mount into the hundreds easy. And there still are so many genres left unexplored. But at that moment I needed a fix and it was the only thing at the used record store that seemed even remotely interesting. Shameful I know.

Oh and there was this other incident where I broke out in a sweat as I watched an older guy unload his entire record collection to a local record store. Record after record of hard to find and wonderful music past by my eyes: No New York, Metal Machine Music, plenty of SST records, 70's punk and 80's post-punk, the employees of the store where all gathered round like vultures immediately placing dibs on the ones they desired. Me, I stood there pretending to listen to a cd as I felt beads of sweat forming on my forehead and palms. Many of these records I already had but seeing them all in one place like that gave me the fever. I recognized then that I had a serious problem that needed to be addressed.

I'd like to relate that I am now reformed and am able to engage in casual record buying with no negative effects. But the truth is that despite some limited progress I've been falling off the wagon hard and repeatedly. The latest episode, perhaps the most shameful, having to forego grocery shopping because I had already blown my money on music. So I guess the best I can do at this point is offer this as a cautionary tale, though I fear those reading this have probably already traveled too far down this same road. Look long and hard at what's in front of you.


William Crain, September 2002
stolen kisses