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It's
almost light and the child's worn a wash cloth since the late
show. Sick children notice blue mornings when the other children
are sleeping on stale Graham cracker crumbs sprinkled over
bed sheets like fairy dust.
Sick children know well the taste of sputum mother collects
for the doctor. "A little cloudier this time," he'll
say and adjust his horn rims.
The recognizable rattle of the windowpane in red autumn is
an old warning to take cover. A sick child will coerce a story
from the wind songs to forget the sound of others at play
on a June day. The sounds of loss and cackles and toy trucks.
Uneasy dominion over the child's body is a familiar terrain,
topographical, if not monotonous. If you squeeze hard, she'll
sound like a baby doll programmed to take imaginary water.
She knows the tug of a bowel after too much coughing. She
knows the weight of pneumonia on her chest like a big dog
named Rufus.
Palpings and hesitations mark the delicacy of an especially
pale skin, the color of mother's lace and the bathroom tile.
The sick child will have spent many nights by the commode,
exchanging dinner for an empty belly stoked by Pepto and Flintstone
vitamins.
The sick child tastes purple cough syrup and even worse intestinal
oil. "Relax," mother says, "It's just the ending.
Like dry leaves."
There's an old fashioned thermometer under her tongue that
only grown ups know how to read. It's useless to her at twenty-four.
She's quiet now. She's not afraid of horse pills. She wears
a scarf around her throat in 60 degree weather.
The sick child is a co-traveler with the elderly in thumbs
and whirrs. Mommy had cancer, but she got the TB. Her mind
moves in thickets of shadows on the wall. Daylight walls with
curtains drawn are where the monsters bloom, an inner flexitivity
for naps.
The sick child sits beside herself for comfort. "Who's
that in the chair?," she asks. The doctor says, "It's
only the fever."
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Natalie
Hope McDonald, April 2001
Painting: Max Ernst
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