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"...when
Dylan realised that 'I'll Keep It With Mine' could only ever
belong to Nico"
--Johnny Kane press release
Nico returned the favor by trying her hardest to sound like
Bob Dylan on that song. Her voice accented in German launches
into 'no one can helllppp yooouuu' in signature Dylan sing-speak.
But that was her song; she owned it. Like Dusty Springfield
on 'Son Of A Preacher Man'. Or Aretha Franklin on 'R.E.S.P.E.C.T.'
Johnny Kane, a label sent from heaven has previously released
singles by both the Clientele and the Relict. Both bands exist
in a similar vein of early morning fog and waking dreams (and
members of each band play on the others' recordings). On a
recent split single for the label, the usual singers, the
Clientele's Alasdair and the Relict's Innes, pass lead vocals
duties to female guest singers.
The Relict with Abi Marvel offer 'Held In Glass', sounding
melancholic and intimate (perhaps an effect of production
quality). She sings of the inevitiability of relationships,
capturing life in a cityscape snow globe glass paradise, frozen
and static. It's often unavoidable--this love thing. The Clientele
back-up Pam Berry (currently of the Pines, formerly of glo-worm,
Black Tambourine, etc.) with '(I Can't Seem) To Make You Mine',
featuring the band's trademark twinkling guitar lines. This
song, compared with 'Held In Glass', sounds colder, with the
inevitability of the break down of a relationship. 'The rain
has brought the night and the night as brought the rain.'
It's often unavoidable--this love thing, but broken hearts
stay broken. The tragic chanteuse knows this, but she owns
her memories and her songs.
Visit the
Relict
Visit the
Clientele
Visit Johnny
Kane, a label sent from heaven
See photos of the Clientele live at Angels
In Cigarette Plumes
| Matthew
Patrick, May 2001 |
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