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Later:
Filling in the Lines
Art offered something akin to the comparisons and demands
of religion,
the double expectation that the cockeyed monsters all feed
from when in doubt.
The brain must be banshees to sustain it--like sirens or wailing
at night.
And if the painting is not going well, then I am spared nothing,
not even a child's sickliness remembered well these days,
that unseen animal.
Surrogate self portraits don't always do anything for the
natives of the home either,
believing less in a moody line, willing more to the obvious
canons of realism.
My noses were always too big. That was the usual mantra over
the masks and
behind masks. Beginning a lifelong pattern, I might slash
and burn
to cremate mistakes best left unseen from the unkind artbooks
and critics alike.
My parents were among the most abrupt-sounding to a child
of eight.
L'absence
d'oeuvre
Please be discreet about the depressions as the others tell
secrets about your bed.
It's done politely over pastries some Sunday afternoons in
lacey acceptance of
how the good girls are to look by weekend's end. At home
the orange juice finds it's way to the back of the refrigerator,
the vodka up front. Cheers to Jesus and sabbaths and the Catholics
alike.
The water, the bread were all filled with fire. Such rumors
were libel to break a career by midweek.
I had none, no praecox, no distress, no bundles of Gideons.
Inheritance of the past had more to do with an old rosary
and dirty love letters
I kept in a small box in the attic. I must have liked the
dichotomy,
or at least a short novena they might have said for me in
the event of a miracle.
Difficulties at School
In failing math, I succeeded a lesson unused by the pupils
before me.
Even my parents didn't flinch, knowing full well I hadn't
memorized my times tables.
By then, we had all chalked it up to retardation which had
nothing to do with art.
Monkeys could draw. The task of the century, or at least grade
school, was to multiply.
The short walk between the desk and the blackboard was long,
flushed,
and much like the odor of urine on a hot day--without its
right place or escape.
I fell immediately, once, twice, a third time in this Calvary
of distress. The margins
of my notebooks were filled dark with drawings and no education.
The child was born with a certain exquisite, almost painful
sensitivity to life.
Every part was delicate--the nerves, the body, the belly health.
Anyone as sensitive as that is bound to fall off the mountain
sooner or later.
As one swings into a greater distance from cradle,
the reactions are more intense, more glorious, and much more
difficult.
| Natalie
Hope McDonald, August 1999 |
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